Because blogs are basically narcissistic and self indulgent by nature of their very existence, herewith I present to you the five best movies ever seen by MY eyes. I'm not a critic (although I have written six or seven screenplays which really means nothing but I wanted to mention it) but I am narcissistic and self indulgent and this is my blog so my opinion is the only one that matters.
#5: Aliens.
#4: Big Trouble in Little China
#3: Forrest Gump
#2: The Empire Strikes Back
#1: The Natural
Are there technically better or more popular movies out there? Of course there are. But these are my five favorites, in order.
Wednesday, September 27, 2006
Wednesday, September 20, 2006
Wizard Interview
What? Three posts on the blog in as many days? Who is this masked blogger??
I did a quick interview (through email) with the Wizard Magazine website to start promoting the Green Lantern Corps comics. Here's the link:
http://www.wizarduniverse.com/magazine/wizard/001713353.cfm
It's always interesting to me how these things are edited together. Not for good or bad, they just always read differently when compared to the original questions and answers. Kind of like a diet version.
I did a quick interview (through email) with the Wizard Magazine website to start promoting the Green Lantern Corps comics. Here's the link:
http://www.wizarduniverse.com/magazine/wizard/001713353.cfm
It's always interesting to me how these things are edited together. Not for good or bad, they just always read differently when compared to the original questions and answers. Kind of like a diet version.
Monday, September 18, 2006
Green Lantern Corps
DC Comics has released their solicitation info for the month of December and it's a busy month for Patricia Champagne's middle son. First up, we've got...
DCU INFINITE CHRISTMAS SPECIAL
Written by Greg Rucka, Judd Winick, Bill Willingham, Joe Kelly, Kelley Puckett, Keith Champagne and Ian Boothby
Art by Joe Bennett, John Byrne, Jerry Ordway, Ale Garza, Giuseppe Camuncoli and David Lopez.
Cover by Howard Porter.
Time to celebrate the holidays with the greatest heroes and rising stars of the DCU! Join Superman, Supergirl, Batwoman, Shazam, Green Lantern, Flash and Shadowpact as they spread the joy of the new season in their own special ways.This giant sized 80-page Special features stories by Greg Rucka, Judd Winick, Bill Willingham, Joe Kelly, Kelley Puckett, Keith Champagne and Ian Boothby and art by Joe Bennett, John Byrne, Jerry Ordway, Ale Garza, Giuseppe Camuncoli and David Lopez.On sale December 6 • 80 pg, FC, $4.99 US
Next on the list, my very last issue of...
FIRESTORM: THE NUCLEAR MAN #32
Written by Stuart MooreArt by Jamal Igle & Keith Champagne.
Cover by Brian Stelfreeze.
The epic story “In My Father's House" concludes as Jason Rusch must deal with the catastrophic fallout from his own actions against the mystery villain. It's an ending and a new beginning for DC's Nuclear Man!On sale December 13 • 32 pg, FC, $2.99 US
And finally, the one that I'm most excited about, my very first issue of...
GREEN LANTERN CORPS #7
Written by Keith Champagne.
Art by Patrick Gleason & Prentis Rollins.
Cover by Gleason & Wayne Faucher.
Part 1 of the 3-part “Dark Side of the Green,” written by Keith Champagne with art by Patrick Gleason & Prentis Rollins! What begins as a routine mission quickly spirals out of control for Guy Gardner and new recruit R’amey Holl, leading the duo to discover a secret that could shake the Corps to the core. Meanwhile, a lone Dominator has found the key to great power and plans to unleash it against the Earth!On sale December 13 • 32 pg, FC, $2.99 US
This is one of the writing gigs that I've been patiently waiting to be announced so I could talk about it. And I will when it gets closer to the shipping date, both here and in interviews at various websites. I'm very proud of this 3-part story, they're the best comics I've written to date (which may not say much) and, so far, Pat Gleason and Prentis Rollins have blown my mind with the art. This storyline introduces a new, much more bad ass division of the Green Lantern Corps that will, knock on wood, be spinning off into its own title next year.
It's going to be a fun month for me and will hopefully lead into a very exciting 2007.
Sunday, September 17, 2006
Saturday the 14th
Sorry for the lack of updates. Lack of time and lack of anything to blog about, really. No wonder the reader tally for my blog is skydiving by the month. This blog sucks!
Anyone remember a movie called Saturday the 14th? It was a horror/comedy spoof that came out in the early 80's. I remember it being the funniest movie when I was a kid and was thinking of trying to track it down. I doubt it would hold up, most things don't after all these years. But sometimes, one is pleasantly surprised.
Anyone remember a movie called Saturday the 14th? It was a horror/comedy spoof that came out in the early 80's. I remember it being the funniest movie when I was a kid and was thinking of trying to track it down. I doubt it would hold up, most things don't after all these years. But sometimes, one is pleasantly surprised.
Friday, September 08, 2006
PRIDE GRAND PRIX!!
The finals of the PRIDE FC Absolute Grand Prix is this Sunday night and it's going to be a fantastic night of MMA fighting. As far as the main (tournament) fights go, these are my quick picks...
I’m picking Crocop over Silva. Wanderlei hasn’t been the same fighter since his loss to Mark Hunt, he’s been less aggressive and half a step slower. He looked great against Fujita but Iron Chin is a B-level fighter at best and, I think, was an opponent made for Silva to look good against.
I’ll take Nog over Barnett. This is a fight that could go either way, it really could. My heart is rooting for Barnett, I think he’s great and also very fun to watch and I love that he’s dedicated himself and gotten into top shape instead of relying on natural skill. My head picks Nog though, he’s a legend in his prime and it’s hard to bet against him.
Crocop versus Nog in the finals and I’m picking…Crocop. He killed Nog the first fight until he was taken down and tapped. I see this fight as more of the same with the exception that Mirko has improved his submission defense enough to get back to his feet and start kicking again. Plus, I’d rather see Crocop VS Fedor a second time as opposed to Nog VS Fedor the fourth.
No matter who wins any of these fights, this is going to be a great card. Aside from the tourny finals, the undercard has a few great fights, including Sergei Kharitinov VS Aleksander Emelianenko and Ricardo Arona VS Alistaire Overeem.
Can’t wait for it. I'll be glued to the TV on Sunday night.
I’m picking Crocop over Silva. Wanderlei hasn’t been the same fighter since his loss to Mark Hunt, he’s been less aggressive and half a step slower. He looked great against Fujita but Iron Chin is a B-level fighter at best and, I think, was an opponent made for Silva to look good against.
I’ll take Nog over Barnett. This is a fight that could go either way, it really could. My heart is rooting for Barnett, I think he’s great and also very fun to watch and I love that he’s dedicated himself and gotten into top shape instead of relying on natural skill. My head picks Nog though, he’s a legend in his prime and it’s hard to bet against him.
Crocop versus Nog in the finals and I’m picking…Crocop. He killed Nog the first fight until he was taken down and tapped. I see this fight as more of the same with the exception that Mirko has improved his submission defense enough to get back to his feet and start kicking again. Plus, I’d rather see Crocop VS Fedor a second time as opposed to Nog VS Fedor the fourth.
No matter who wins any of these fights, this is going to be a great card. Aside from the tourny finals, the undercard has a few great fights, including Sergei Kharitinov VS Aleksander Emelianenko and Ricardo Arona VS Alistaire Overeem.
Can’t wait for it. I'll be glued to the TV on Sunday night.
Friday, September 01, 2006
Xena: Strange Visitor
While poking around the Dynamite Entertainment website, I noticed that they had posted about the upcoming super-sized Xena one-shot that I wrote for them. Here's the link...
http://www.dynamiteentertainment.com/htmlfiles/p-C105720.html
The book is called Xena: Strange Visitor and focuses on Xena facing off with a warrior from another planet. Think of it as Xena Versus Predator and you're on the right track. My intent was to put together a different kind of Xena story. The character lends itself well to all different kinds of situations so sometimes it's fun to explore something off the beaten path.
I've yet to see any artwork from the book but I know it's being drawn by a young artist named Noah Salonga. Attached is the black and white of the cover which I lifted from the Dynamite website. I'm not sure what the shipping date is. The website has it listed as October 2006 but that seems too early to me. I'll have to do some digging and find out what's what.
I usually learn something from every assignment I write and on this one, I learned that writing for a licensor (Universal holds the rights to Xena) can be...interesting, to say the least.
Wednesday, August 30, 2006
Dave Gibbons and John Byrne
Things have been more hectic than usual here at Champagne Central and the newer, more-frenzied pace of my daily existence doesn't look like it's going to let up anytime soon. Nonetheless, I've got a couple of bits of comic news to share.
Pretty much any comics fan knows of the work of Dave (Watchmen) Gibbons, one of my artistic 'heroes' in the comics biz. The guy is a legend, plain and simple. Personally, I've loooooong admired Mr. Gibbons' storytelling, composition, and clean drawing style. In fact, almost twenty years ago, a friend of mine wrote in my senior yearbook in high school that I should never give up my dreams because maybe, one day, I might reach the level of someone like Dave Gibbons.
This week, the stars have aligned nicely and an unexpected hole in my inking schedule has been filled with the opportunity to ink his work as I pitch in on a Green Lantern Corps issue that Mr. Gibbons is writing and drawing.
It's really, really hard work.
Not only is it intimidating as hell to try to translate and enhance the work of someone whom I admire so much, but his clean and precise drawing style leaves very little room for error. Artists who noodle more and throw in tons of detail give you plenty of room to hide mistakes. With Mr. Gibbons', the inks are either going to work or they're going to fail miserably. So it's been a painstaking few days and I expect the next week will be equally so as I try to do his work justice. I haven't been very happy with anything I've done over him so far but it always takes me about 10 or 11 pages of working with a penciller before I begin to feel comfortable and able to contribute something to the art. Hopefully this will be the same. I'd hate to only have one chance to ink his work and blow it miserably.
On the other side of things, I found out today that John Byrne, another of my comic book heroes, is pencilling a ten-page Green Lantern Christmas story that I wrote a month or so back. I've been campaigning for about the last year or so to get a chance to work with the brilliant Mr. Byrne and finally, all my begging and pleading to Peter Tomasi has paid off. To say that I'm thrilled is a huge understatement. There's only one other person in comics whose work has been as influential to me as Mr. Byrne's has and, off the top of my head, I can't think of anyone who has produced more quality comics for as long and as consistently as John has. X-Men, Superman, Fantastic Four...there's literally nothing he hasn't OWNED at one time or another. In the list of all-time great artists, Mr. Byrne is easily in the top five with plenty of room to spare.
And now he's drawing something I wrote. It's literally a dream come true and, on top of everything else, I'm inking it too.
What a great week in my little comics world, that's all I can say.
Pretty much any comics fan knows of the work of Dave (Watchmen) Gibbons, one of my artistic 'heroes' in the comics biz. The guy is a legend, plain and simple. Personally, I've loooooong admired Mr. Gibbons' storytelling, composition, and clean drawing style. In fact, almost twenty years ago, a friend of mine wrote in my senior yearbook in high school that I should never give up my dreams because maybe, one day, I might reach the level of someone like Dave Gibbons.
This week, the stars have aligned nicely and an unexpected hole in my inking schedule has been filled with the opportunity to ink his work as I pitch in on a Green Lantern Corps issue that Mr. Gibbons is writing and drawing.
It's really, really hard work.
Not only is it intimidating as hell to try to translate and enhance the work of someone whom I admire so much, but his clean and precise drawing style leaves very little room for error. Artists who noodle more and throw in tons of detail give you plenty of room to hide mistakes. With Mr. Gibbons', the inks are either going to work or they're going to fail miserably. So it's been a painstaking few days and I expect the next week will be equally so as I try to do his work justice. I haven't been very happy with anything I've done over him so far but it always takes me about 10 or 11 pages of working with a penciller before I begin to feel comfortable and able to contribute something to the art. Hopefully this will be the same. I'd hate to only have one chance to ink his work and blow it miserably.
On the other side of things, I found out today that John Byrne, another of my comic book heroes, is pencilling a ten-page Green Lantern Christmas story that I wrote a month or so back. I've been campaigning for about the last year or so to get a chance to work with the brilliant Mr. Byrne and finally, all my begging and pleading to Peter Tomasi has paid off. To say that I'm thrilled is a huge understatement. There's only one other person in comics whose work has been as influential to me as Mr. Byrne's has and, off the top of my head, I can't think of anyone who has produced more quality comics for as long and as consistently as John has. X-Men, Superman, Fantastic Four...there's literally nothing he hasn't OWNED at one time or another. In the list of all-time great artists, Mr. Byrne is easily in the top five with plenty of room to spare.
And now he's drawing something I wrote. It's literally a dream come true and, on top of everything else, I'm inking it too.
What a great week in my little comics world, that's all I can say.
Thursday, August 24, 2006
Fanboy Planet
The fine folks over at www.fanboyplanet.com thought it would be a good idea for me to fill in for one of their regular columnists this week and write a report for WWE's RAW on Monday.
So I did.
Feel free to click the link above and check it out.
So I did.
Feel free to click the link above and check it out.
Tuesday, August 22, 2006
Snakes on a Plane
OK, so...am I crazy or was Snakes On A Plane actually really good?
I caught a matinee yesterday which I had been advised against, mainly because I was told that the way to see the movie was with an enthusiastic crowd, not just a few random people scattered throughout the theater in the middle of an afternoon. I don't see what the difference would have been though, because I loved it anyway.
Is it a silly B-movie? Absolutely. But I thought it was pretty much the king of silly B-movies. People have been saying it's so bad, it's good but I actually thought it was goodgood.It's a solid movie that hits all the right notes. It got me cringing in my seat a few times.
It followed the basic rule for these types of action/thriller movies: Whenever you think things can't get worse, they get worse. Starting to get a handle on the six million snakes slithering around the plane? Too bad because here comes the giant 30 foot python, baby! Think you're out of the woods once and for all? Too bad, your pilot just died. And so on and so on.
All in all, a really entertaining way to spend a couple of hours. Anyone else see it?
I caught a matinee yesterday which I had been advised against, mainly because I was told that the way to see the movie was with an enthusiastic crowd, not just a few random people scattered throughout the theater in the middle of an afternoon. I don't see what the difference would have been though, because I loved it anyway.
Is it a silly B-movie? Absolutely. But I thought it was pretty much the king of silly B-movies. People have been saying it's so bad, it's good but I actually thought it was goodgood.It's a solid movie that hits all the right notes. It got me cringing in my seat a few times.
It followed the basic rule for these types of action/thriller movies: Whenever you think things can't get worse, they get worse. Starting to get a handle on the six million snakes slithering around the plane? Too bad because here comes the giant 30 foot python, baby! Think you're out of the woods once and for all? Too bad, your pilot just died. And so on and so on.
All in all, a really entertaining way to spend a couple of hours. Anyone else see it?
Thursday, August 17, 2006
Ed Brubaker
Not much to blog about. I still can't publicly talk about any of my upcoming writing gigs, probably not for another month or so until solicitations begin to filter out. Come to think of it, I still can't seem to spell 'publicly', either. In the meantime, I thought I'd recommend Daredevil for anyone looking for a good comic to read.
I lost interest in Daredevil about halfway through Bendis' run; not that it was bad, it just wasn't floating my cup of tea anymore. I buy very few comics, I can't keep up with my comps as it is and I'm sort of spoiled that way. But, based on Ed Brubaker's work on Gotham Central and Captain America, I made a note to pick up Daredevil when he started writing it.
So I'd say it's currently my favorite book. I'm probably an issue or two behind everyone else because I don't get to the comic shop very often, either. But I'm finding the current storyline, with Matt Murdock and the Kingpin in jail, to be very enjoyable. It's just a well written comic with solid art and storytelling by Michael Lark and his inker, who's name I can't think of. Stefano, I think?
Plus, although I haven't read the issue yet, I've heard through the grapevine that Iron Fist starts to play a major role in the story. The Fist is my favorite Marvel Comics character so I'm excited to see him used in important fashion and am even more looking forward to the upcoming Iron Fist series...written by Ed Brubaker.
Good stuff, check it out.
I lost interest in Daredevil about halfway through Bendis' run; not that it was bad, it just wasn't floating my cup of tea anymore. I buy very few comics, I can't keep up with my comps as it is and I'm sort of spoiled that way. But, based on Ed Brubaker's work on Gotham Central and Captain America, I made a note to pick up Daredevil when he started writing it.
So I'd say it's currently my favorite book. I'm probably an issue or two behind everyone else because I don't get to the comic shop very often, either. But I'm finding the current storyline, with Matt Murdock and the Kingpin in jail, to be very enjoyable. It's just a well written comic with solid art and storytelling by Michael Lark and his inker, who's name I can't think of. Stefano, I think?
Plus, although I haven't read the issue yet, I've heard through the grapevine that Iron Fist starts to play a major role in the story. The Fist is my favorite Marvel Comics character so I'm excited to see him used in important fashion and am even more looking forward to the upcoming Iron Fist series...written by Ed Brubaker.
Good stuff, check it out.
Thursday, August 10, 2006
more art
I started doing a right-handed version of the below sketch but got tired of using a pencil. So I just started inking and this is what came out.
Interesting time to work in comics right now. Lots of changes on the horizon, long term plans being made, political manuevering behind the scenes. I'm sort of a bystander watching things change on what seems to be almost a daily basis.
Vague but interesting nonetheless.
Thursday, August 03, 2006
The inks
And here are the inks.
I ended up inking this straight on the piece of copy paper with a brush because my printer is dry. I probably would have noodled and detailed more with a nib but the paper is flimsy and would get torn to shreds by the penpoint. So I stuck soley to brush and it is what it is.
I can't say it's a great drawing but hey, I give myself credit for finishing it. I try to get away from my drawing board as much as possible when I'm not working. That's why I look forward to the day when (knock on wood) I can write full-time. It'll be nice to be able to get back to producing artwork for fun again, as a hobby. As it is now, it just feels like more work.
Hope you liked this little experiment. Don't know what it really proves, except that I suck equally at drawing with either one of my hands.
Keith
Tuesday, August 01, 2006
Left Handed Sketch
And here's the sketch. Altogether, it took about 8 minutes to rough it out.
I drew it on a piece of copy paper so the next step will be bluelining it in photoshop and printing it out on a sturdier piece of bristol board for inking.
I definitely don't have the fine motor control with my left hand that I do with my right, meaning this is even more loosely drawn than usual. So it seems like I can hit the broad strokes but I don't think I could actually finish this drawing in pencil, not with my left hand. At least not yet.
The akward thing about trying to draw with my opposite hand is approaching the paper from the opposite angle. It takes a little getting used to as everything in my office is configured to a right hand. Even my drawing table lamp casts a shadow on the paper from my hand.
It's a fun little experiment though even though it looks rather crapadelic.
Tune in shortly for the finished inks.
Keith
Monday, July 31, 2006
Absentminded
I haven't forgotten to conduct my little experiment in ambidexterity.
In fact, I've conducted it. I did a generic head shot today with my left hand. Not really sure what I think of it but I never usually like the way things look when I draw with my right hand either.
I should have time tomorrow to scan and post it and I'll try to ink it this week, too. It's tempting to go back in and start tweaking things and correcting the drawing in right-handed fashion but I'm planning on inking it right handed anyway so...I'll just do it in ink. I also suspect that I'll transform this generic sketch into a Superman drawing while I ink it because I'm gay for Superman.
I have noticed that because I do work primarily in brush and ink that I no longer have any patience with pencil. I crave the bold, final line that ink supplies and have lost the ability to pencil tightly somewhere along the way. Now, in those rare times when I actually draw something, I pencil as quickly as possible to get it over with and jump right into inking, where I feel the most comfortable.
Any other comic artists have that same tendency?
In fact, I've conducted it. I did a generic head shot today with my left hand. Not really sure what I think of it but I never usually like the way things look when I draw with my right hand either.
I should have time tomorrow to scan and post it and I'll try to ink it this week, too. It's tempting to go back in and start tweaking things and correcting the drawing in right-handed fashion but I'm planning on inking it right handed anyway so...I'll just do it in ink. I also suspect that I'll transform this generic sketch into a Superman drawing while I ink it because I'm gay for Superman.
I have noticed that because I do work primarily in brush and ink that I no longer have any patience with pencil. I crave the bold, final line that ink supplies and have lost the ability to pencil tightly somewhere along the way. Now, in those rare times when I actually draw something, I pencil as quickly as possible to get it over with and jump right into inking, where I feel the most comfortable.
Any other comic artists have that same tendency?
Monday, July 24, 2006
Ambidexterity
What? I have a blog?? Crikey, I guess I'd better update it.
A little known Keith Champagne factoid is that I'm naturally left-handed, although my mother raised me to be right-handed. I'm not sure why it was important to her and it's not important to me at all but regardless, I have a pretty high level of dexterity with my opposite hand. Growing up, I've always unconsciously done things with my opposite side. I eat left-handed. I'm much more comfortable boxing southpaw. Even playing kickball growing up, I always kicked with my left leg.
I'm goofy, what can I say?
When I was in the Kubert School, I had a teacher named Tex Blaisdell. Tex was a grizzled old cartoonist, equally kind and crusty. Everyone loved him. He had spent most of his career inking, everything from Green Lantern to Superman to Batman during the 60's, 70's, and 80's. He also did a lot of newspaper strips, Little Orphan Annie being one that comes immediately to mind. Tex passed away about six or seven years ago after a lifetime of good, hard living.
Tex was famous for being able to draw equally well with both hands. If I remember the story correctly, he drank his way through a deadline and passed out at his drawing board, his drawing arm pinned underneath his torso. When he woke up however many hours later, his right arm was useless. He had damaged it somehow and it took literally months for his arm to regain its mobility.
So Tex didn't skip a beat. He just taught himself to draw and ink with his left hand and honed his dexterity to such a high level that he was equally skilled with either hand. He used to joke that once his right arm healed, he could work twice as fast. Who knows, maybe he wasn't joking?
This is my long-winded way of saying that, inspired by Tex, this past weekend I started
sketching with my left hand. The end results seem pretty much the same to me, a little looser and sketchier but the information is all there. I think I'm going to continue working this way. I have some wacky theory that drawing with my opposite hand taps into the opposite side of brain and somehow makes me more creative or something weird like that.
So my plan here is to draw something left handed and then ink it with my right and post it up when I'm finished. I don't have a lot of free time to produce artwork when I'm not getting paid for it but hopefully, the experimental nature of this piece will inspire me to see it all the way through.
So stay tuned and let's see what happens.
A little known Keith Champagne factoid is that I'm naturally left-handed, although my mother raised me to be right-handed. I'm not sure why it was important to her and it's not important to me at all but regardless, I have a pretty high level of dexterity with my opposite hand. Growing up, I've always unconsciously done things with my opposite side. I eat left-handed. I'm much more comfortable boxing southpaw. Even playing kickball growing up, I always kicked with my left leg.
I'm goofy, what can I say?
When I was in the Kubert School, I had a teacher named Tex Blaisdell. Tex was a grizzled old cartoonist, equally kind and crusty. Everyone loved him. He had spent most of his career inking, everything from Green Lantern to Superman to Batman during the 60's, 70's, and 80's. He also did a lot of newspaper strips, Little Orphan Annie being one that comes immediately to mind. Tex passed away about six or seven years ago after a lifetime of good, hard living.
Tex was famous for being able to draw equally well with both hands. If I remember the story correctly, he drank his way through a deadline and passed out at his drawing board, his drawing arm pinned underneath his torso. When he woke up however many hours later, his right arm was useless. He had damaged it somehow and it took literally months for his arm to regain its mobility.
So Tex didn't skip a beat. He just taught himself to draw and ink with his left hand and honed his dexterity to such a high level that he was equally skilled with either hand. He used to joke that once his right arm healed, he could work twice as fast. Who knows, maybe he wasn't joking?
This is my long-winded way of saying that, inspired by Tex, this past weekend I started
sketching with my left hand. The end results seem pretty much the same to me, a little looser and sketchier but the information is all there. I think I'm going to continue working this way. I have some wacky theory that drawing with my opposite hand taps into the opposite side of brain and somehow makes me more creative or something weird like that.
So my plan here is to draw something left handed and then ink it with my right and post it up when I'm finished. I don't have a lot of free time to produce artwork when I'm not getting paid for it but hopefully, the experimental nature of this piece will inspire me to see it all the way through.
So stay tuned and let's see what happens.
Monday, July 10, 2006
This means WAR!!
By far, the best thing about the boring UFC 61 fight card on Saturday night was the announcement that PRIDE middleweight champion Wanderlei "The Ax Murderer" Silva would be invading the octagon in November to fight UFC Middleweight champion Chuck Lidell.
The hardcore MMA fan has been drooling for years at the thought of an interpromotional dream match like this. Hopefully, it's just the tip of the iceberg. My head would probably explode if Fedor Emelianenko, pound for pound the universally agreed upon greatest fighter in the world today, decided to crash the UFC's party and show them how it's really done.
I was going to write about some of the possibilities and ramifications of the Silva/Lidell match until I came across the following post by Zach Arnold at Fightopinion.com. He's much smarter and more well spoken than I am so if this kind of topic interests you, hit the link below.
Exciting times to be an MMA fan. It's gratifying to see the public catch up with the most exciting sport in the world.
http://www.fightopinion.com/2006/07/09/ufc-vs-pride-2/
The hardcore MMA fan has been drooling for years at the thought of an interpromotional dream match like this. Hopefully, it's just the tip of the iceberg. My head would probably explode if Fedor Emelianenko, pound for pound the universally agreed upon greatest fighter in the world today, decided to crash the UFC's party and show them how it's really done.
I was going to write about some of the possibilities and ramifications of the Silva/Lidell match until I came across the following post by Zach Arnold at Fightopinion.com. He's much smarter and more well spoken than I am so if this kind of topic interests you, hit the link below.
Exciting times to be an MMA fan. It's gratifying to see the public catch up with the most exciting sport in the world.
http://www.fightopinion.com/2006/07/09/ufc-vs-pride-2/
Thursday, July 06, 2006
Absolute Watchmen
I haven't posted anything comic-related in a while so...
I recently received the ABSOLUTE WATCHMEN collection that I ordered from the fine folks at Earth 2 Comics (www.earth2comics.com). Earth 2 is located in Sherman Oaks, CA and Carr and Judd run a great store. I can't recommend their services highly enough so there's a little plug for Earth 2.
I've been slowly rereading WATCHMEN, really enjoying seeing the artwork printed oversized, and have been reminded just how much ass this comic kicks. For a story that I've read fifteen times in the past fifteen years, I'm still seeing new things in the backgrounds or uncovering new subtext in the story. In fact, before I die, I'll probably someday really figure out the pirate comic within the comic.
Much smarter people than me have written about the groundbreaking technical achievements contained between the pages and every word is true. The Rorschach issue, for example, that is laid out so that the second half of the story mirrors the first the way the two halves of a rorschach blot mirror each other is a truly remarkable bit of storytelling. It makes my brain hurt just thinking about trying to plan something like that out. Alan Moore and Dave Gibbons threw in everything and the kitchen sink and in spite of all the groundbreaking they were doing, they wisely never forget to center the story around the characters. To me, character should always dictate plot, not vice versa. I think I learned that on a subconscious level from this book when I was a teenager.
Reading it with fresh eyes, I'm also surprised to see how influential Watchmen is. A show like LOST is a great example of this. Take a look at the way they continue to explore the flashback stuff from different perspectives and then see how Watchmen did it, almost twenty years earlier. I'm planning on ripping it off myself in a Green Lantern Christmas story I'll be writing soon, in abbreviated fashion.
For the record, the Dr. Manhattan on Mars issue is my favorite of the series, followed by the Rorschach origin. In fact, those are probably my two favorite single issues of any comic book ever. And I've read a LOT of comics over the years.
I could ramble on all day and not make much sense so I guess what I'm saying is I truly LOVE this book. I remember loving it to death when I was a junior in high school, picking up each issue as they arrived in the stores and I love it even more now. If you're a comic fan and you've never read it, treat yourself. And if you have, go read it again because it's well worth the time.
Keith
I recently received the ABSOLUTE WATCHMEN collection that I ordered from the fine folks at Earth 2 Comics (www.earth2comics.com). Earth 2 is located in Sherman Oaks, CA and Carr and Judd run a great store. I can't recommend their services highly enough so there's a little plug for Earth 2.
I've been slowly rereading WATCHMEN, really enjoying seeing the artwork printed oversized, and have been reminded just how much ass this comic kicks. For a story that I've read fifteen times in the past fifteen years, I'm still seeing new things in the backgrounds or uncovering new subtext in the story. In fact, before I die, I'll probably someday really figure out the pirate comic within the comic.
Much smarter people than me have written about the groundbreaking technical achievements contained between the pages and every word is true. The Rorschach issue, for example, that is laid out so that the second half of the story mirrors the first the way the two halves of a rorschach blot mirror each other is a truly remarkable bit of storytelling. It makes my brain hurt just thinking about trying to plan something like that out. Alan Moore and Dave Gibbons threw in everything and the kitchen sink and in spite of all the groundbreaking they were doing, they wisely never forget to center the story around the characters. To me, character should always dictate plot, not vice versa. I think I learned that on a subconscious level from this book when I was a teenager.
Reading it with fresh eyes, I'm also surprised to see how influential Watchmen is. A show like LOST is a great example of this. Take a look at the way they continue to explore the flashback stuff from different perspectives and then see how Watchmen did it, almost twenty years earlier. I'm planning on ripping it off myself in a Green Lantern Christmas story I'll be writing soon, in abbreviated fashion.
For the record, the Dr. Manhattan on Mars issue is my favorite of the series, followed by the Rorschach origin. In fact, those are probably my two favorite single issues of any comic book ever. And I've read a LOT of comics over the years.
I could ramble on all day and not make much sense so I guess what I'm saying is I truly LOVE this book. I remember loving it to death when I was a junior in high school, picking up each issue as they arrived in the stores and I love it even more now. If you're a comic fan and you've never read it, treat yourself. And if you have, go read it again because it's well worth the time.
Keith
Monday, July 03, 2006
Critical Countdown
I've been biding my time before, like the rest of the world, I post my thoughts on the new Superman movie so as not to spoil it. Suffice to say, I liked it quite a bit. It's not a perfect film and I don't agree with every choice Bryan Singer made but it's a worthy restart to the franchise and I'm looking forward to the sequel.
In the meantime, PRIDE FC, the world's largest mixed martial arts organization, held the second round of their open weight grand prix over the weekend in Japan and it was a fantastic card. Anyone that has gotten into MMA with the recent success and rise of the UFC should do themselves a favor and check out a PRIDE card. It's where the big boys play.
I was particularly impressed with Wanderlei Silva's destruction of Japanese heavyweight Kazuyuki Fujita. It was an intriquing match up due to the weight difference (Silva fights at 205 while Fujita is about 40 pounds heavier) and also because Fujita's incredibly thick skull (medically proven in Japan to be thicker than an average human skull) has shown it's almost impossible to knock him out.
Silva didn't manage to knock him out but he did stagger him pretty well late in the first round, unleashing a hurricane of punches, hammerfists, and soccer kicks. Fujita took enough unanswered damage that the referee wisely stopped the fight. Silva moves on to the semi's.
Joining him there will be Josh Barnett, who used the same strategy he tried in his first fight against CroCop to take Mark Hunt down as quickly as possible. He quickly and easily submitted Hunt with a kimura in about two minutes. Barnett looked great physically, in much better shape than he's been in years. He actually almost had abs and considering that his waistline always looks like three spare tires competing for dominance, that's saying something. It looks like he's pretty serious about fighting.
Noguiera and Fabricio Werdum had what I felt was the best fight of the night, a back and forth battle between two world class jiu jitsu fighters. Nog took the decision because, while the fight was standing, his boxing technique was more polished. Their brief exchanges of BJJ technique on the ground were beautiful while they lasted.
Finally, Cro Cop kicked the hell out of Yoshida's leg until he couldn't stand up any longer. Shades of Marco Ruas against Paul Varelens in early UFC. Those leg kicks hurt. I've been hit with a few delivered at half speed in training and couldn't help but wince. I can't imagine what a kick delivered with full CroCrop power must have felt like. Probably a sledgehammer hitting in the exact same spot over and over and over until the leg finally gives out.
It's a fantastic final four. I'm hoping for Silva/Crocop and Barnett/Nogueira in the semi's, mainly because I don't want to see Crocop/Barnett for the third time unless they have to meet in the finals.
The undercard also impressed. I was glad to see Pawel Nastula (Olympic Gold Medalist in Judo) pick up his first win in the Pride ring. He's a tough fighter who's been thrown to the wolves so far. Also good to see Vitor Belfort pick up a win although with Vitor, who knows what will happen next. He's the world's most confusing fighter.
Pride rocks. Check it out sometime.
In the meantime, PRIDE FC, the world's largest mixed martial arts organization, held the second round of their open weight grand prix over the weekend in Japan and it was a fantastic card. Anyone that has gotten into MMA with the recent success and rise of the UFC should do themselves a favor and check out a PRIDE card. It's where the big boys play.
I was particularly impressed with Wanderlei Silva's destruction of Japanese heavyweight Kazuyuki Fujita. It was an intriquing match up due to the weight difference (Silva fights at 205 while Fujita is about 40 pounds heavier) and also because Fujita's incredibly thick skull (medically proven in Japan to be thicker than an average human skull) has shown it's almost impossible to knock him out.
Silva didn't manage to knock him out but he did stagger him pretty well late in the first round, unleashing a hurricane of punches, hammerfists, and soccer kicks. Fujita took enough unanswered damage that the referee wisely stopped the fight. Silva moves on to the semi's.
Joining him there will be Josh Barnett, who used the same strategy he tried in his first fight against CroCop to take Mark Hunt down as quickly as possible. He quickly and easily submitted Hunt with a kimura in about two minutes. Barnett looked great physically, in much better shape than he's been in years. He actually almost had abs and considering that his waistline always looks like three spare tires competing for dominance, that's saying something. It looks like he's pretty serious about fighting.
Noguiera and Fabricio Werdum had what I felt was the best fight of the night, a back and forth battle between two world class jiu jitsu fighters. Nog took the decision because, while the fight was standing, his boxing technique was more polished. Their brief exchanges of BJJ technique on the ground were beautiful while they lasted.
Finally, Cro Cop kicked the hell out of Yoshida's leg until he couldn't stand up any longer. Shades of Marco Ruas against Paul Varelens in early UFC. Those leg kicks hurt. I've been hit with a few delivered at half speed in training and couldn't help but wince. I can't imagine what a kick delivered with full CroCrop power must have felt like. Probably a sledgehammer hitting in the exact same spot over and over and over until the leg finally gives out.
It's a fantastic final four. I'm hoping for Silva/Crocop and Barnett/Nogueira in the semi's, mainly because I don't want to see Crocop/Barnett for the third time unless they have to meet in the finals.
The undercard also impressed. I was glad to see Pawel Nastula (Olympic Gold Medalist in Judo) pick up his first win in the Pride ring. He's a tough fighter who's been thrown to the wolves so far. Also good to see Vitor Belfort pick up a win although with Vitor, who knows what will happen next. He's the world's most confusing fighter.
Pride rocks. Check it out sometime.
Tuesday, June 27, 2006
The Final Cut and other thoughts
I haven't had much of interest to write about lately and haven't had a lot of time to devote to coming up with semi-interesting topics to write about anyway. So, in lieu (spelling?) of anything which is actually interesting, here are some bullet points of random things running through my mind.
I've heard through the rumor mill that my childhood favorite soap opera couple, Patch and Kayla, have returned to the town of Salem on Days Of Our Lives. Yes, I admit that I used to watch Days religiously in my late teens/early college years and still maintain a loose knowledge of the goings on in Salem. I might have to start tuning in again, especially since the rebroadcast on SOAP makes it more convenient to watch at different times.
I'm going to see SUPERMAN RETURNS tomorrow night and am keeping an open mind. Early word from industry friends who have seen advance screenings is that they like but don't love it. Honestly, I'm most jazzed about Marlon Brando's return to the silver screen. I was fascinated by Brando for years and years and years and this is probably the last time I'll ever see a 'new', albeit manufactured, performance from him on the big screen. Being dead will do that to a fellow.
I'm also the world's most faithful Superman fan and I don't need the film to be perfect in order to love it. I just want it to be good and respectful to the characters. I will say before going in that I really wish Lois Lane had been cast older. Even in the previews, she looks like a kid next to everybody else and I already don't buy that she's a single mother of a five-year old. But like I said, I'm keeping an open mind and have my fingers X'ed.
Never in all my life did I imagine there would be so many mixed martial arts cards to watch in such a short span of time. Between the UFC running three full cards in two weeks as well as Pride's fantastic card taking place in Japan this weekend, it's almost an MMA overload. It's a golden age for fans of this little sport.
Finally, I watched a film called The Final Cut with Robin Williams (currently the leading choice to play The Joker in the next Batman film) the other day. I remember when it came out in theaters, taking note of what I felt was an intriguing premise: That a biological camera installed in our heads would record our lives from start to finish and that those memories would be assembled into something like a film for our loved ones to keep for generations on down the line.
The movie itself was a jumbled mess but there was one small scene tucked into it that genuinely touched me. Early on, Robin Williams' character shows his girlfriend a short 'film' he's assembled (he's what's known as a CUTTER, basically an editor of these life films) of an old man at the end of his life, shaving in his bathroom mirror. The film then flashes back 10 or 12 years and we see that same man, younger, in the mirror. These flashbacks continue and the man progressively gets younger until we finally see him at the age of nine, still a boy, trying to shave for the very first time.
I'm not sure what exactly touched me about that sequence except that getting older is one of the main themes I constantly play with in the back of my mind and in my writing. I'm simultaneously fascinated and scared by the idea of aging, losing my youth, and becoming an old man. Seeing an entire life, even a fictional one, condensed into a thirty second span somehow spoke to me. To see where and how a person ends up in life and then flashing back to the beginning of that life, where every door is still open and the future is unwritten...to me that's powerful stuff. Poignant even.
Or maybe it was just the sentimental music playing over the scene. What do I know?
That's all for now.
Keith
I've heard through the rumor mill that my childhood favorite soap opera couple, Patch and Kayla, have returned to the town of Salem on Days Of Our Lives. Yes, I admit that I used to watch Days religiously in my late teens/early college years and still maintain a loose knowledge of the goings on in Salem. I might have to start tuning in again, especially since the rebroadcast on SOAP makes it more convenient to watch at different times.
I'm going to see SUPERMAN RETURNS tomorrow night and am keeping an open mind. Early word from industry friends who have seen advance screenings is that they like but don't love it. Honestly, I'm most jazzed about Marlon Brando's return to the silver screen. I was fascinated by Brando for years and years and years and this is probably the last time I'll ever see a 'new', albeit manufactured, performance from him on the big screen. Being dead will do that to a fellow.
I'm also the world's most faithful Superman fan and I don't need the film to be perfect in order to love it. I just want it to be good and respectful to the characters. I will say before going in that I really wish Lois Lane had been cast older. Even in the previews, she looks like a kid next to everybody else and I already don't buy that she's a single mother of a five-year old. But like I said, I'm keeping an open mind and have my fingers X'ed.
Never in all my life did I imagine there would be so many mixed martial arts cards to watch in such a short span of time. Between the UFC running three full cards in two weeks as well as Pride's fantastic card taking place in Japan this weekend, it's almost an MMA overload. It's a golden age for fans of this little sport.
Finally, I watched a film called The Final Cut with Robin Williams (currently the leading choice to play The Joker in the next Batman film) the other day. I remember when it came out in theaters, taking note of what I felt was an intriguing premise: That a biological camera installed in our heads would record our lives from start to finish and that those memories would be assembled into something like a film for our loved ones to keep for generations on down the line.
The movie itself was a jumbled mess but there was one small scene tucked into it that genuinely touched me. Early on, Robin Williams' character shows his girlfriend a short 'film' he's assembled (he's what's known as a CUTTER, basically an editor of these life films) of an old man at the end of his life, shaving in his bathroom mirror. The film then flashes back 10 or 12 years and we see that same man, younger, in the mirror. These flashbacks continue and the man progressively gets younger until we finally see him at the age of nine, still a boy, trying to shave for the very first time.
I'm not sure what exactly touched me about that sequence except that getting older is one of the main themes I constantly play with in the back of my mind and in my writing. I'm simultaneously fascinated and scared by the idea of aging, losing my youth, and becoming an old man. Seeing an entire life, even a fictional one, condensed into a thirty second span somehow spoke to me. To see where and how a person ends up in life and then flashing back to the beginning of that life, where every door is still open and the future is unwritten...to me that's powerful stuff. Poignant even.
Or maybe it was just the sentimental music playing over the scene. What do I know?
That's all for now.
Keith
Thursday, June 15, 2006
Wizard Awards
Do you like me? I mean...really, really like me? Then go vote for me in the Wizard Fan Award Nominations. Here's the link:
http://www.wizarduniverse.com/magazines/wizard/WZfanawards2006.cfm
I'm listed under the category of "Favorite Inker" for my work on JSA. Also, my Image series Armor X can be voted for under "Favorite mini-series." It's not hard to find, it's the first book on the list because it's all alphabetical. If you're feeling particularly warm and fuzzy towards me lately, you can also write me in under the category "Favorite break out talent."
From how this process was explained to me, this nomination ballot is put out there to cull the herd, so to speak. The top vote getters in each category then move on to the actual awards ballot later this summer. I don't realistically expect to win in any category but I would consider it a victory just to be listed on the final ballot along with some really amazingly talented people.
Thanks,
Keith
http://www.wizarduniverse.com/magazines/wizard/WZfanawards2006.cfm
I'm listed under the category of "Favorite Inker" for my work on JSA. Also, my Image series Armor X can be voted for under "Favorite mini-series." It's not hard to find, it's the first book on the list because it's all alphabetical. If you're feeling particularly warm and fuzzy towards me lately, you can also write me in under the category "Favorite break out talent."
From how this process was explained to me, this nomination ballot is put out there to cull the herd, so to speak. The top vote getters in each category then move on to the actual awards ballot later this summer. I don't realistically expect to win in any category but I would consider it a victory just to be listed on the final ballot along with some really amazingly talented people.
Thanks,
Keith
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